Bad
News / Good News is a video diptych, which explores representation
of gender and sex, issues of stardom and melodrama in cinema.
Bad News is a video/sound collage comprised of de-contextualized
representations of a woman in terror, agony or anguish. The
footage is extracted from three Turkish films entitled The
Crying Woman (1967), My Beloved Hooker (1968)
and They Call Me “Flashy” (1969). All three
films star the same actress Turkan Soray, also known as the
Sultan of Turkish cinema. Images of the same woman reacting
to tragic events accompanied by highly melodramatic music and
sound effects are juxtaposed one after another. Yet, the cause
of the tragedy remains unknown since the narrative is fragmented
and the melodrama is isolated. Good News, is also constructed
from segments of old Turkish films, starring Cuneyt Arkin, probably
the most famous actor in Turkish cinema. Unlike her female counterpart,
he is always active; initiating action rather than receiving,
inflicting pain rather than enduring. By juxtaposing the woman
in continuous positions of weakness, passively experiencing
the post-tragedy, forever reacting rather than acting with the
violent, active powerful man, the video creates a splitting
experience for the viewer as it builds its own music out of
fragments of separate narratives.
Palindromes
TRT: 9 minutes
2005
Palindromes
divides the video screen into a grid of nine frames. In each
frame an object -usually associated with female interests and
crafts, such as lace, cakes and silk flowers- appears to be
made by a pair of hands. The process of making may seem a bit
strange in close observation, since in fact, what appears to
be made is actually being un-made and then the video is reversed.
Vacancies
TRT: 13:40'
2005
Vacancies
is a site specific video installation, shown in the Oppidan
Arts Group exhinition at the Morris Building in Huntington,
WV. The vacant ground floor of the prominent building in downtown
Huntington was temporarily converted into an art gallery. The
video installation brings views of other vacant storefronts
from the downtown area to the vacant storefront of the gallery,
thus temporarily occupying it.